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Cybernetics: The Science of Mind Control.

A.I. art created by Beau Tardy ©2022 

Art, science and technology are the forces that shape our experience and understanding of the world.

The new electronic age started with radio and the postmodern age was in full force by the time TV came along. TV was invented before WWII but was held back in favor of the amplification of radio, which was radar and sonar. Since then the world has been mapped using our ears instead of the traditional Renaissance visual perspective bias. Radar has had a huge influence on astronomy, which has now led to a complete remapping of the universe and its explanation.

A.I. generated art by Beau Tardy ©2022

The other invention of WWII was cybernetics. Cybernetics has been greatly amplified today with the implementation of social media, which is the mapping of the social ‘consciousness’ including the ‘collective unconsciousness’. Radio and TV have been accelerated to become mobile ‘smart’phones, called smart because they hurt. The electronic law of reciprocity means smart phones are receivers as well as transmitters. This is obvious in the case of Twitch, Twitter and Facebook where people transmit their everyday lives. Gaming is the new work. Flash mobs, i.e. antifa, are gaming applied to the streets. They are commanded and controlled though smart phones. They are engaged in tribal warfare much like the denizens of Papua New Guinea. 

A.I art created by Beau Tardy ©2022

Fake news is a warfare propaganda tool of using two different tracks of information simultaneously. In France there are signs at railway crossings that say one train can hide another. This is what fake news is. One transmission hides another. In fact instead of just pointing out fake news it is important to look at what the fake news is hiding.Fake news will reveal the real news by looking in the opposite direction, or askance, or peripherally as with cubism. Trains today are obsolete just as is commuting to the office or school. All work is now done remote. Smart phones are social remote controls.

A.I. art created by Beau Tardy ©2022

WWII shifted the paradigm to cybernetics, which is the science of command and control, based as it is on active tracking, or self-regulating feedback loops. This is the science of targeting and snooping. It is called ‘information gathering’, or ‘data mining’, whereby patterns are discerned and used as predictors of future outcomes. These automatic self-regulating systems are the servomechanisms that Marshall McLuhan warned us about. This has led to the ostracizing and eliminating of that which is deviant from the mean, through outright censorship, hate speech laws and now self-censorship behavior such as wearing a mask in public. This corralling towards the mean and pruning anything that steps out of the ‘mainstream’ is a direct function of cybernetics.

A.I. art created by Beau Tardy ©2022

Anyone who is popular on social media is actually a social media servomechanism; that is, a function of the ‘algorithm’. When a different outcome is desired, the algorithm is then altered, dictating a different behavior pattern. Much like Marshall McLuhan’s paddler in a canoe who becomes the servomechanism of the canoe. Content producers who upload content to Youtube or Twitch or any other social media platform are actually unpaid workers of these corporations. Thus we have a new feudal system of unpaid serfs who must respond and respect the algorithm or become outcasts and ‘TOS’-ed out. 

 

Terms of service are actually bills of sale for technocratic slavery.

A.I. art created by Beau Tardy ©2022

As mentioned above physical transportation by trains, planes, automobiles or ships is rendered obsolete through cybernetics. This is illustrated by the seizing of the very vocabulary of transportation by cybernetics. Thus social media websites are called ‘platforms’, communication flows through ‘channels’, IP (internet protocol) distribution is called ‘tunneling’, information is delivered via ‘packets’, browsing is called ‘navigating’, etc. Any business based on physical transportation is in difficulty today because of cybernetics, especially the business of transporting human beings. Why move when our brains can travel faster than our bodies ever will? Therefore we have reached the end of ‘travel’. The great industries of human travel are fading away rapidly. The automobile industry and the airline industry are facing headwinds they will not recover from. Displacement and the transportation of goods will be the reserve of robots, all controlled through cybernetics. 

Beau Ledoux Tardy ©2022

 
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Neo Yokio is Vaporwave.

or why I like Neo Yokio ( and positively hate Rick & Morty. )


Beau Tardy. Saturday, September 30, 2017.

America is a very literal country. We say what we mean and we do what we say. Our founding fathers were all men of letters, even newspapermen, all very well read. Our constitution is written on a piece of paper by these same men. The very privilege to write anything and everything is enshrined in our first amendment. We are a country run by writers, whether they be writers of laws, of contracts, of screenplays or of checks. The writers literally run the show. Until now.

The writing on Neo Yokio is the polar opposite of the pedantic, heavy handed, supercilious Rick & Morty whose editorial board is essentially reddit.com. Please deliver us from these sanctimonious, college essay driven writing stylings of today’s bloggers cum screenwriters who populate new media bullpens.

Neo Yokio is refreshingly superficial, light and breezy like a menthol cigarette or a diet 7 up. It’s style is tongue and cheek, self effacing, unpretentious and full of 1990s anime cliches. Neo Yokio is light on the writing, light on the social righteousness and light on the eyes. In short, it’s vaporwave.

The art is where the love is. Here finally is a cartoon that recognizes that this is a visual art, not a puppet theater for frustrated pamphleteers.  From the mock 1930s Monaco Grand Prix posters, to the beautiful art deco renderings of the Chrysler Building, to the pink and blue nostalgia vaporwave skies of Neo Yokio, this is a clever pastiche and a clin d’oeil to art history.

Neo Yokio’s absurdist retro futurism, the foppish cocktail parties, the mecha butler, the designer label name calling and the giant toblerones give the whole thing the feeling of an 1980s cocaine and vodka hangover that is just delightful.

 I love it. ⭐⭐⭐⭐

Beau Tardy/ 
www.tardyartist.com

Neo Yokio is a Netflix original production.

Created by Ezra Koenig
Written by Ezra Koenig
Nick Weidenfeld
Alexander Benaim
Directed by Kazuhiro Furuhashi
Junji Nishimura
Creative director(s) Ben Jones
Production
Executive producer(s) Ezra Koenig
Nick Weidenfeld
Hend Baghdady
Angela Petrella
Producer(s) Matthew Chadwick
Andrew Chittenden
Kris Wood
Running time 22 minutes
Production company(s) Studio Deen
Production I.G.
MOI Animation
Infinite Elegance, LLC
Friends Night
Distributor Netflix
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DizzyTV *New Summer Episode* Retro 80s! 😎📺✨

Watch a brand new episode of DizzyTV *free* on Youtube and Roku! 
80s Synthwave and Retrowave!

Featuring Rodney Hunter / #Text Message / VictoriaXRave / Midnight Star and so much more!
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*Free Dizzy Poster Contest!*

Win a free Dizzy poster! Simply watch DizzyTV on your Roku and win. We will be giving away 10 free posters! Check out this awesome 16″ x 19″ poster featuring a cybertronic Dizzy The Cat ™!

19″x 16″ Full Color Dizzy The Cat ™ Poster!
Designed by Deuce Custom Farm in Sydney, Australia.

This beautiful high quality full color offset printed poster can be yours for free by simply watching the coolest show on Roku! The rules are super simple:

  1. Add DizzyTV to your channel lineup on Roku by going to my.roku.com/add/dizzytv and using the passcode dizzytv. It’s free!
  2. Watch the free shows on DizzyTV! Find out what the name is of the YouTuber featured on the Summer Retro 80s episode.
  3. Go to twitter.com/dizzytv. Follow us on twitter and DM the answer! That’s it!

Please don’t share the answer publicly on twitter ;D that would just suck!

Poster may be shipped folded in an envelop. You will need to provide us with your mailing address and email. We will never share your information nor spam you with useless nonsense. You are too cool for that!

Thanks for watching DizzyTV!

disclaimer: this contest is not run by Roku and Roku has no responsibility in the outcomes of this contest.

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Ghost In The Shell – Movie Review

Wow, how cool was that? I had no idea this movie would actually be this good! I was totally expecting a sub-par remake of the all time anime classic. After all who could possibly make anything half as brilliant as Mamoru Oshiis’ animated masterpiece? Nobody of course. This redux has a lot going for it all the same. 


But first, the weak spots. The biggest fail of all time is the fact that Scarlett Johansson decided not to play this in the buff like the original anime robot. Instead she is fitted with a latex body suit which is a huge let down even if it allows the movie to be rated PG13. Why can’t us adults get to see a movie with a naked robot? Just why?

The anime robot was naked. But you knew that!

Also why on Earth did director Rupert Sanders decide to start the movie with a 5 minute flashback sequence that is slow and bothersome instead of ‘plunging’ right in the way the anime does with Major’s dive from the building roof?

This has the effect of blunting the noir dread that is supposed to infuse this cyberpunk epic. To that point, everything is a little bit too clean and well lit.

A little too clean.

Last but not least this movie is lacking a proper kick ass soundtrack. I mean Tron Legacy has Daft Punk, man! The original anime has a beautiful eerie theme song by Kenji Kawai but this film relegates it to the end credits… bad move. They should’ve gotten Deadmau5 to score this film!

Scarlett kicks ass!

Now on to the good bits! Scarlett Johansson looks freaking perfect as Major. She plays it well in a stiff human-machine hybrid way. (I still think she should have been naked – I mean just think of the publicity! Built-in ad campaign! Chickens, the lot of them… )

The evil Geisha robot is dope. I want that thing as a body guard! 
Batou played by Pilou Asbaek is awesome rad too. 

In the original anime his look was inspired by the Italian comic book character RanXerox who was another cyberpunk icon of the 80s.  

RanXerox classic 80s cyberpunk icon by Italian artist Liberatore.

Cyberpunk is a product of the 80s and Ghost In The Shell took a lot of cues from Blade Runner and Akira. The 80s were not a clean decade and the future looked grimy and dark. Millenials are too used to the sleek rounded corners and shiny surfaces of their asepticized iphones. Anyone remember using a pay phone on 42nd street in 1985? Any way I digress.

I saved the best part for last which are the awesome sfx and glitch tricks. I mean folks, augmented reality is coming and we better get used to navigating the third layer of VR holographic ads. Not to mention naked robots! 

I feel this version of Ghost In The Shell has staying power and will develop a bona fide cult following. Definite addition to my cyberpunk collection!
****
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