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Cybernetics: The Science of Mind Control.

A.I. art created by Beau Tardy ©2022 

Art, science and technology are the forces that shape our experience and understanding of the world.

The new electronic age started with radio and the postmodern age was in full force by the time TV came along. TV was invented before WWII but was held back in favor of the amplification of radio, which was radar and sonar. Since then the world has been mapped using our ears instead of the traditional Renaissance visual perspective bias. Radar has had a huge influence on astronomy, which has now led to a complete remapping of the universe and its explanation.

A.I. generated art by Beau Tardy ©2022

The other invention of WWII was cybernetics. Cybernetics has been greatly amplified today with the implementation of social media, which is the mapping of the social ‘consciousness’ including the ‘collective unconsciousness’. Radio and TV have been accelerated to become mobile ‘smart’phones, called smart because they hurt. The electronic law of reciprocity means smart phones are receivers as well as transmitters. This is obvious in the case of Twitch, Twitter and Facebook where people transmit their everyday lives. Gaming is the new work. Flash mobs, i.e. antifa, are gaming applied to the streets. They are commanded and controlled though smart phones. They are engaged in tribal warfare much like the denizens of Papua New Guinea. 

A.I art created by Beau Tardy ©2022

Fake news is a warfare propaganda tool of using two different tracks of information simultaneously. In France there are signs at railway crossings that say one train can hide another. This is what fake news is. One transmission hides another. In fact instead of just pointing out fake news it is important to look at what the fake news is hiding.Fake news will reveal the real news by looking in the opposite direction, or askance, or peripherally as with cubism. Trains today are obsolete just as is commuting to the office or school. All work is now done remote. Smart phones are social remote controls.

A.I. art created by Beau Tardy ©2022

WWII shifted the paradigm to cybernetics, which is the science of command and control, based as it is on active tracking, or self-regulating feedback loops. This is the science of targeting and snooping. It is called ‘information gathering’, or ‘data mining’, whereby patterns are discerned and used as predictors of future outcomes. These automatic self-regulating systems are the servomechanisms that Marshall McLuhan warned us about. This has led to the ostracizing and eliminating of that which is deviant from the mean, through outright censorship, hate speech laws and now self-censorship behavior such as wearing a mask in public. This corralling towards the mean and pruning anything that steps out of the ‘mainstream’ is a direct function of cybernetics.

A.I. art created by Beau Tardy ©2022

Anyone who is popular on social media is actually a social media servomechanism; that is, a function of the ‘algorithm’. When a different outcome is desired, the algorithm is then altered, dictating a different behavior pattern. Much like Marshall McLuhan’s paddler in a canoe who becomes the servomechanism of the canoe. Content producers who upload content to Youtube or Twitch or any other social media platform are actually unpaid workers of these corporations. Thus we have a new feudal system of unpaid serfs who must respond and respect the algorithm or become outcasts and ‘TOS’-ed out. 

 

Terms of service are actually bills of sale for technocratic slavery.

A.I. art created by Beau Tardy ©2022

As mentioned above physical transportation by trains, planes, automobiles or ships is rendered obsolete through cybernetics. This is illustrated by the seizing of the very vocabulary of transportation by cybernetics. Thus social media websites are called ‘platforms’, communication flows through ‘channels’, IP (internet protocol) distribution is called ‘tunneling’, information is delivered via ‘packets’, browsing is called ‘navigating’, etc. Any business based on physical transportation is in difficulty today because of cybernetics, especially the business of transporting human beings. Why move when our brains can travel faster than our bodies ever will? Therefore we have reached the end of ‘travel’. The great industries of human travel are fading away rapidly. The automobile industry and the airline industry are facing headwinds they will not recover from. Displacement and the transportation of goods will be the reserve of robots, all controlled through cybernetics. 

Beau Ledoux Tardy ©2022

 
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Life After Google by George Gilder – Book Review

Life After Google by George Gilder

Unable and unwilling to call this a ‘book’ I can only refer to it as an unedited collection of Dictaphone notes hastily scribbled down at random by Mr. Gilder’s copyist. I frankly doubt he ever read the final draft. Even an editor could not put order into this chaos. As a proponent of communication theory George Gilder here presents noise without any signal.

While the original premise sounds enticing enough, that human creativity and ‘surprise’ will circumvent and overrun the megalithic monstrosities erected by the deterministic priesthood of the new religion of Artificial Intelligence, the exposition proves limp-wristed and muddled, at very best. Simply wishing for a better world does not make it so.


George Gilder propounds a vanguard of free-willed individuals and creative adventurers who heroically break the mold and over-power the Google Goliath with their unpredictable slingshots. Paradoxically he selects cryptocurrency as his magic bullet with its shadowy ‘Cypherpunk’ underworld origins. He even goes so far as (bit)coining the awkward neologism ‘cryptocosm’. Undoubtedly fashioned after the Latin word ‘crypta’ for cavern (yes!) and the Greek ‘kosmos’ for order in the universe. Interesting to note also that ‘currency’ comes from the verb to run, therefore we are here presented with the opportunity to run in an orderly fashion round and round in a cave. Which is exactly what Gilder’s circular arguments do. Nowhere is there a cogent proposal enlightening us on how to break the bonds of the Matrix and exit this madness.


For there is no doubt on the urgency of the matter and would a real solution be offered it should be heralded on the rooftops. The titans of tech have us tied to their tethers. We are ever so more enmeshed in their perfidious net as we simply seek to perform our daily tasks. From shopping, to studying, to communicating -and with the internet of everything, to our cars and our refrigerators, we are left unable to escape their greedy grasp. For if on the internet ‘Information wants to be free’ we are paying for it with our very souls. Indeed, identity theft and intellectual property theft are the pillars that under-gird this monument to the machine. As value is sucked out of us and compiled into server farms nestled in the glades and valleys of Oregon and New Zealand, even our money is being replaced by a credit score.


But so how does ‘cryptocurrency’ set us free? Well, it doesn’t and it can’t. Despite – and in fact because of – the claims of decentralized nodes, edges, blockchains, endless Turing algorithms, we are evermore prisoners of the grid. Think of it. How much more enslaved are we in a tomb (crypt) fashioned from blocks, tethered to us by chains, forcing us run to in place (currency). Words have meaning. Cryptocurrency and blockchains do not set us free but tie us down inexorably to the hive mind of the mega-machine. George Gilder utterly fails to see this as he desperately tries to ingratiate himself with the Big Tech prophets and Silicon sages. His school girl crush on Silicon Valley hipsters belied by endless pages of name-dropping decries his purported disruption and underlines his myopia. For if we are to expect salvation from the giant machine it is not by diving into the fractals of the grid that we will find it. The circle cannot be squared.


The ‘singularity’ is coming. The event horizon nears as the entire world becomes Google mapped, our desires become robot-sexed, our fantasies become cookie-tracked, our dreams become virtual-reality and our souls become ‘blockchained’. What is left is a tribal world of sameness (subversively presented as diversity) statistical meanness and average outcomes. Outliers can be pegged and increasingly are excluded, if not downright terminated by the deterministic priesthood of Big Tech as clearly evidenced by the current massive censorship purges on social media. The ‘tall poppies’ are cut down and anyone who stands out is made to lay low or be de-personned. So while George Gilder may wish to present himself as a voice crying out in the desert, he comes across as a mere Don Quixote chasing bits and bytes. His false prophecies are blind to the cliff we have indeed fallen off and he cannot see the mountain for he is stuck in a cave.

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*Free Dizzy Poster Contest!*

Win a free Dizzy poster! Simply watch DizzyTV on your Roku and win. We will be giving away 10 free posters! Check out this awesome 16″ x 19″ poster featuring a cybertronic Dizzy The Cat ™!

19″x 16″ Full Color Dizzy The Cat ™ Poster!
Designed by Deuce Custom Farm in Sydney, Australia.

This beautiful high quality full color offset printed poster can be yours for free by simply watching the coolest show on Roku! The rules are super simple:

  1. Add DizzyTV to your channel lineup on Roku by going to my.roku.com/add/dizzytv and using the passcode dizzytv. It’s free!
  2. Watch the free shows on DizzyTV! Find out what the name is of the YouTuber featured on the Summer Retro 80s episode.
  3. Go to twitter.com/dizzytv. Follow us on twitter and DM the answer! That’s it!

Please don’t share the answer publicly on twitter ;D that would just suck!

Poster may be shipped folded in an envelop. You will need to provide us with your mailing address and email. We will never share your information nor spam you with useless nonsense. You are too cool for that!

Thanks for watching DizzyTV!

disclaimer: this contest is not run by Roku and Roku has no responsibility in the outcomes of this contest.

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Pewdiepie Reinvents Public Access TV on Twitch!

Anyone remember Wayne’s World with Mike Myers about two doofuses on a couch doing a Public Access TV show? Of course not, you probably weren’t even born yet! Well, it looks like Pewdiepie doesn’t remember either! Maybe this is a good time to insert brainiac quote “Those who don’t know history are destined to repeat it.” (Edmond Burke)

Mike Myers and Dana Carvey in Wayne’s World – ©1992 Paramount Pictures


Although the movie Wayne’s World was a fictitious parody of the Public Access TV phenomenon of the 80s & 90s in America, the reality is Public Access TV was a rich experimental playground for budding TV wannabees. As a free speech platform mandated by Congress in the 1970s, Public Access TV was exactly that: public access to the TV airwaves by any enterprising talent that felt like making a TV show.

Awesome shows came out of that experience, some even becoming famous like The Robin Byrd Show, TV Party, Beyond Vaudeville (which became a real TV show called Oddball) or TV with Ray Cathode that inspired MTV’s AMP. (look ’em up). 

All these shows broke new ground and did things on TV that nobody had done before. Pewdiepie’s show ‘Best Club’ on Twitch however seems to be plowing fallow ground. After only two shows he is bleeding viewers, going from 80,000 for the first episode to 18,000 for the second episode which is a dizzying 75% drop. It seems that he got the message because the next day he tweeted: “that stream was insane, was just testing it out… wasnt expecting that. will do a charity one next time”.

Was it that he wasn’t expecting such a big drop in viewers or that the constant begging for donations made it sound like a PBS telethon? Either way, the formula seems wrong for Twitch. A prominent feature on Twitch is the chat which is simultaneous to the stream and allows viewers to comment in real time. This is a raucous place where memes are born and trolls earn their wings. During episode 2 of ‘Best Club’ chatters were complaining about being ignored, even when they donated money, a cardinal sin on Twitch! 

‘Best Club’ episode on Twitch with Pewdiepie and Brad Woto. Looks a lot like Wayne’s World to me 🙂

Best Club episode #2 also suffered from a rookie streamers mistake of plugging the cameras into a different input from the mic resulting in the dreaded ‘audio out of sync’ nightmare.

Twitch is a very different animal from YouTube. By any account this will be a head-scratcher for the producers of Best Club and it remains to be seen if the Pewds will be able to turn this lemon into lemonade.

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