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Cybernetics: The Science of Mind Control.

A.I. art created by Beau Tardy ©2022 

Art, science and technology are the forces that shape our experience and understanding of the world.

The new electronic age started with radio and the postmodern age was in full force by the time TV came along. TV was invented before WWII but was held back in favor of the amplification of radio, which was radar and sonar. Since then the world has been mapped using our ears instead of the traditional Renaissance visual perspective bias. Radar has had a huge influence on astronomy, which has now led to a complete remapping of the universe and its explanation.

A.I. generated art by Beau Tardy ©2022

The other invention of WWII was cybernetics. Cybernetics has been greatly amplified today with the implementation of social media, which is the mapping of the social ‘consciousness’ including the ‘collective unconsciousness’. Radio and TV have been accelerated to become mobile ‘smart’phones, called smart because they hurt. The electronic law of reciprocity means smart phones are receivers as well as transmitters. This is obvious in the case of Twitch, Twitter and Facebook where people transmit their everyday lives. Gaming is the new work. Flash mobs, i.e. antifa, are gaming applied to the streets. They are commanded and controlled though smart phones. They are engaged in tribal warfare much like the denizens of Papua New Guinea. 

A.I art created by Beau Tardy ©2022

Fake news is a warfare propaganda tool of using two different tracks of information simultaneously. In France there are signs at railway crossings that say one train can hide another. This is what fake news is. One transmission hides another. In fact instead of just pointing out fake news it is important to look at what the fake news is hiding.Fake news will reveal the real news by looking in the opposite direction, or askance, or peripherally as with cubism. Trains today are obsolete just as is commuting to the office or school. All work is now done remote. Smart phones are social remote controls.

A.I. art created by Beau Tardy ©2022

WWII shifted the paradigm to cybernetics, which is the science of command and control, based as it is on active tracking, or self-regulating feedback loops. This is the science of targeting and snooping. It is called ‘information gathering’, or ‘data mining’, whereby patterns are discerned and used as predictors of future outcomes. These automatic self-regulating systems are the servomechanisms that Marshall McLuhan warned us about. This has led to the ostracizing and eliminating of that which is deviant from the mean, through outright censorship, hate speech laws and now self-censorship behavior such as wearing a mask in public. This corralling towards the mean and pruning anything that steps out of the ‘mainstream’ is a direct function of cybernetics.

A.I. art created by Beau Tardy ©2022

Anyone who is popular on social media is actually a social media servomechanism; that is, a function of the ‘algorithm’. When a different outcome is desired, the algorithm is then altered, dictating a different behavior pattern. Much like Marshall McLuhan’s paddler in a canoe who becomes the servomechanism of the canoe. Content producers who upload content to Youtube or Twitch or any other social media platform are actually unpaid workers of these corporations. Thus we have a new feudal system of unpaid serfs who must respond and respect the algorithm or become outcasts and ‘TOS’-ed out. 

 

Terms of service are actually bills of sale for technocratic slavery.

A.I. art created by Beau Tardy ©2022

As mentioned above physical transportation by trains, planes, automobiles or ships is rendered obsolete through cybernetics. This is illustrated by the seizing of the very vocabulary of transportation by cybernetics. Thus social media websites are called ‘platforms’, communication flows through ‘channels’, IP (internet protocol) distribution is called ‘tunneling’, information is delivered via ‘packets’, browsing is called ‘navigating’, etc. Any business based on physical transportation is in difficulty today because of cybernetics, especially the business of transporting human beings. Why move when our brains can travel faster than our bodies ever will? Therefore we have reached the end of ‘travel’. The great industries of human travel are fading away rapidly. The automobile industry and the airline industry are facing headwinds they will not recover from. Displacement and the transportation of goods will be the reserve of robots, all controlled through cybernetics. 

Beau Ledoux Tardy ©2022

 
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Dizzy Worldwide TV Graphics Reel from Year 2000 -DizzY2K!

Check out the Dizzy Worldwide Production TV Graphics Reel from the Year 2000! It features work we did for MTV, MTV2 and many other networks. Y2K at it’s best. And if you enjoy the video, you might want to get the DizzY2K Poster that was designed in 1999 by Australia’s Deuce Custom Farm. 

Go to the DizzyShop >>

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The Many Saints of Newark (2021) Movie Review

Image (c) HBO Max & IMDB for review purposes only.

The Many Saints of Newark (2021) Movie Review

First of all Ray Liotta looks like shit. Sorry Ray. Being a fellow goomba, I can say that. Secondly, you mafia guys being so badass and secretly running the show is such a tired trope – way past prime. Ok, we get it, we know that you could make or break (or kill) a president, and that Hollywood was basically built by people like you and we know that these movies are all in fact real stories. But Hollywood is a tired trope of its own. In case you hadn’t figured it out, China is the new mafia in town. And that’s pretty much ok, because nobody gives a fuck about Hollywood anymore anyway. The only people still watching Hollywood’s feeble attempts at relevancy are party apparatchiks, propaganda peons and basement dwelling Netflix nerds. If your industry wasn’t getting yet another government bailout, you’d basically be toast. HBO Max, Netflix, Disney + and all other sundry streaming coalitions are all that’s left, and we’re talking chicken bones here. When inflation finally hits and the Fed raises interest rates and the stock market crashes, all that will be left for you is to give your streaming services away for free just to keep the subscriber count up.

The weak-kneed woke attempt at mythologizing the ‘plight’ of black gangsters moving in on mafia turf is fairly laughable. It would have been much more accurate to show how the Black Panthers were instead being funded and organized by the Soviet Communist Party. But that would have meant breaking the glass ceiling of false historical revisionism that you folks are so busy crafting. 

To anyone who still thinks going to see a movie is a good way to spend your money, avoid this concoction like the buffet at Luby’s. In fact, just give your wad of cash to the first homeless person you see and you will feel better for it and have less indigestion. Also, look into Keto. You’re too fat.

God bless America.


Box Office: Gross US & Canada $8,237,403

Opening weekend US & Canada $4,651,571

Gross worldwide $12,737,403 (info: IMDB.com)
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Life After Google by George Gilder – Book Review

Life After Google by George Gilder

Unable and unwilling to call this a ‘book’ I can only refer to it as an unedited collection of Dictaphone notes hastily scribbled down at random by Mr. Gilder’s copyist. I frankly doubt he ever read the final draft. Even an editor could not put order into this chaos. As a proponent of communication theory George Gilder here presents noise without any signal.

While the original premise sounds enticing enough, that human creativity and ‘surprise’ will circumvent and overrun the megalithic monstrosities erected by the deterministic priesthood of the new religion of Artificial Intelligence, the exposition proves limp-wristed and muddled, at very best. Simply wishing for a better world does not make it so.


George Gilder propounds a vanguard of free-willed individuals and creative adventurers who heroically break the mold and over-power the Google Goliath with their unpredictable slingshots. Paradoxically he selects cryptocurrency as his magic bullet with its shadowy ‘Cypherpunk’ underworld origins. He even goes so far as (bit)coining the awkward neologism ‘cryptocosm’. Undoubtedly fashioned after the Latin word ‘crypta’ for cavern (yes!) and the Greek ‘kosmos’ for order in the universe. Interesting to note also that ‘currency’ comes from the verb to run, therefore we are here presented with the opportunity to run in an orderly fashion round and round in a cave. Which is exactly what Gilder’s circular arguments do. Nowhere is there a cogent proposal enlightening us on how to break the bonds of the Matrix and exit this madness.


For there is no doubt on the urgency of the matter and would a real solution be offered it should be heralded on the rooftops. The titans of tech have us tied to their tethers. We are ever so more enmeshed in their perfidious net as we simply seek to perform our daily tasks. From shopping, to studying, to communicating -and with the internet of everything, to our cars and our refrigerators, we are left unable to escape their greedy grasp. For if on the internet ‘Information wants to be free’ we are paying for it with our very souls. Indeed, identity theft and intellectual property theft are the pillars that under-gird this monument to the machine. As value is sucked out of us and compiled into server farms nestled in the glades and valleys of Oregon and New Zealand, even our money is being replaced by a credit score.


But so how does ‘cryptocurrency’ set us free? Well, it doesn’t and it can’t. Despite – and in fact because of – the claims of decentralized nodes, edges, blockchains, endless Turing algorithms, we are evermore prisoners of the grid. Think of it. How much more enslaved are we in a tomb (crypt) fashioned from blocks, tethered to us by chains, forcing us run to in place (currency). Words have meaning. Cryptocurrency and blockchains do not set us free but tie us down inexorably to the hive mind of the mega-machine. George Gilder utterly fails to see this as he desperately tries to ingratiate himself with the Big Tech prophets and Silicon sages. His school girl crush on Silicon Valley hipsters belied by endless pages of name-dropping decries his purported disruption and underlines his myopia. For if we are to expect salvation from the giant machine it is not by diving into the fractals of the grid that we will find it. The circle cannot be squared.


The ‘singularity’ is coming. The event horizon nears as the entire world becomes Google mapped, our desires become robot-sexed, our fantasies become cookie-tracked, our dreams become virtual-reality and our souls become ‘blockchained’. What is left is a tribal world of sameness (subversively presented as diversity) statistical meanness and average outcomes. Outliers can be pegged and increasingly are excluded, if not downright terminated by the deterministic priesthood of Big Tech as clearly evidenced by the current massive censorship purges on social media. The ‘tall poppies’ are cut down and anyone who stands out is made to lay low or be de-personned. So while George Gilder may wish to present himself as a voice crying out in the desert, he comes across as a mere Don Quixote chasing bits and bytes. His false prophecies are blind to the cliff we have indeed fallen off and he cannot see the mountain for he is stuck in a cave.

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Neo Yokio is Vaporwave.

or why I like Neo Yokio ( and positively hate Rick & Morty. )


Beau Tardy. Saturday, September 30, 2017.

America is a very literal country. We say what we mean and we do what we say. Our founding fathers were all men of letters, even newspapermen, all very well read. Our constitution is written on a piece of paper by these same men. The very privilege to write anything and everything is enshrined in our first amendment. We are a country run by writers, whether they be writers of laws, of contracts, of screenplays or of checks. The writers literally run the show. Until now.

The writing on Neo Yokio is the polar opposite of the pedantic, heavy handed, supercilious Rick & Morty whose editorial board is essentially reddit.com. Please deliver us from these sanctimonious, college essay driven writing stylings of today’s bloggers cum screenwriters who populate new media bullpens.

Neo Yokio is refreshingly superficial, light and breezy like a menthol cigarette or a diet 7 up. It’s style is tongue and cheek, self effacing, unpretentious and full of 1990s anime cliches. Neo Yokio is light on the writing, light on the social righteousness and light on the eyes. In short, it’s vaporwave.

The art is where the love is. Here finally is a cartoon that recognizes that this is a visual art, not a puppet theater for frustrated pamphleteers.  From the mock 1930s Monaco Grand Prix posters, to the beautiful art deco renderings of the Chrysler Building, to the pink and blue nostalgia vaporwave skies of Neo Yokio, this is a clever pastiche and a clin d’oeil to art history.

Neo Yokio’s absurdist retro futurism, the foppish cocktail parties, the mecha butler, the designer label name calling and the giant toblerones give the whole thing the feeling of an 1980s cocaine and vodka hangover that is just delightful.

 I love it. ⭐⭐⭐⭐

Beau Tardy/ 
www.tardyartist.com

Neo Yokio is a Netflix original production.

Created by Ezra Koenig
Written by Ezra Koenig
Nick Weidenfeld
Alexander Benaim
Directed by Kazuhiro Furuhashi
Junji Nishimura
Creative director(s) Ben Jones
Production
Executive producer(s) Ezra Koenig
Nick Weidenfeld
Hend Baghdady
Angela Petrella
Producer(s) Matthew Chadwick
Andrew Chittenden
Kris Wood
Running time 22 minutes
Production company(s) Studio Deen
Production I.G.
MOI Animation
Infinite Elegance, LLC
Friends Night
Distributor Netflix
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DizzyTV *New Summer Episode* Retro 80s! 😎📺✨

Watch a brand new episode of DizzyTV *free* on Youtube and Roku! 
80s Synthwave and Retrowave!

Featuring Rodney Hunter / #Text Message / VictoriaXRave / Midnight Star and so much more!
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*Free Dizzy Poster Contest!*

Win a free Dizzy poster! Simply watch DizzyTV on your Roku and win. We will be giving away 10 free posters! Check out this awesome 16″ x 19″ poster featuring a cybertronic Dizzy The Cat ™!

19″x 16″ Full Color Dizzy The Cat ™ Poster!
Designed by Deuce Custom Farm in Sydney, Australia.

This beautiful high quality full color offset printed poster can be yours for free by simply watching the coolest show on Roku! The rules are super simple:

  1. Add DizzyTV to your channel lineup on Roku by going to my.roku.com/add/dizzytv and using the passcode dizzytv. It’s free!
  2. Watch the free shows on DizzyTV! Find out what the name is of the YouTuber featured on the Summer Retro 80s episode.
  3. Go to twitter.com/dizzytv. Follow us on twitter and DM the answer! That’s it!

Please don’t share the answer publicly on twitter ;D that would just suck!

Poster may be shipped folded in an envelop. You will need to provide us with your mailing address and email. We will never share your information nor spam you with useless nonsense. You are too cool for that!

Thanks for watching DizzyTV!

disclaimer: this contest is not run by Roku and Roku has no responsibility in the outcomes of this contest.

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Ghost In The Shell – Movie Review

Wow, how cool was that? I had no idea this movie would actually be this good! I was totally expecting a sub-par remake of the all time anime classic. After all who could possibly make anything half as brilliant as Mamoru Oshiis’ animated masterpiece? Nobody of course. This redux has a lot going for it all the same. 


But first, the weak spots. The biggest fail of all time is the fact that Scarlett Johansson decided not to play this in the buff like the original anime robot. Instead she is fitted with a latex body suit which is a huge let down even if it allows the movie to be rated PG13. Why can’t us adults get to see a movie with a naked robot? Just why?

The anime robot was naked. But you knew that!

Also why on Earth did director Rupert Sanders decide to start the movie with a 5 minute flashback sequence that is slow and bothersome instead of ‘plunging’ right in the way the anime does with Major’s dive from the building roof?

This has the effect of blunting the noir dread that is supposed to infuse this cyberpunk epic. To that point, everything is a little bit too clean and well lit.

A little too clean.

Last but not least this movie is lacking a proper kick ass soundtrack. I mean Tron Legacy has Daft Punk, man! The original anime has a beautiful eerie theme song by Kenji Kawai but this film relegates it to the end credits… bad move. They should’ve gotten Deadmau5 to score this film!

Scarlett kicks ass!

Now on to the good bits! Scarlett Johansson looks freaking perfect as Major. She plays it well in a stiff human-machine hybrid way. (I still think she should have been naked – I mean just think of the publicity! Built-in ad campaign! Chickens, the lot of them… )

The evil Geisha robot is dope. I want that thing as a body guard! 
Batou played by Pilou Asbaek is awesome rad too. 

In the original anime his look was inspired by the Italian comic book character RanXerox who was another cyberpunk icon of the 80s.  

RanXerox classic 80s cyberpunk icon by Italian artist Liberatore.

Cyberpunk is a product of the 80s and Ghost In The Shell took a lot of cues from Blade Runner and Akira. The 80s were not a clean decade and the future looked grimy and dark. Millenials are too used to the sleek rounded corners and shiny surfaces of their asepticized iphones. Anyone remember using a pay phone on 42nd street in 1985? Any way I digress.

I saved the best part for last which are the awesome sfx and glitch tricks. I mean folks, augmented reality is coming and we better get used to navigating the third layer of VR holographic ads. Not to mention naked robots! 

I feel this version of Ghost In The Shell has staying power and will develop a bona fide cult following. Definite addition to my cyberpunk collection!
****
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