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The Many Saints of Newark (2021) Movie Review

Image (c) HBO Max & IMDB for review purposes only.

The Many Saints of Newark (2021) Movie Review

First of all Ray Liotta looks like shit. Sorry Ray. Being a fellow goomba, I can say that. Secondly, you mafia guys being so badass and secretly running the show is such a tired trope – way past prime. Ok, we get it, we know that you could make or break (or kill) a president, and that Hollywood was basically built by people like you and we know that these movies are all in fact real stories. But Hollywood is a tired trope of its own. In case you hadn’t figured it out, China is the new mafia in town. And that’s pretty much ok, because nobody gives a fuck about Hollywood anymore anyway. The only people still watching Hollywood’s feeble attempts at relevancy are party apparatchiks, propaganda peons and basement dwelling Netflix nerds. If your industry wasn’t getting yet another government bailout, you’d basically be toast. HBO Max, Netflix, Disney + and all other sundry streaming coalitions are all that’s left, and we’re talking chicken bones here. When inflation finally hits and the Fed raises interest rates and the stock market crashes, all that will be left for you is to give your streaming services away for free just to keep the subscriber count up.

The weak-kneed woke attempt at mythologizing the ‘plight’ of black gangsters moving in on mafia turf is fairly laughable. It would have been much more accurate to show how the Black Panthers were instead being funded and organized by the Soviet Communist Party. But that would have meant breaking the glass ceiling of false historical revisionism that you folks are so busy crafting. 

To anyone who still thinks going to see a movie is a good way to spend your money, avoid this concoction like the buffet at Luby’s. In fact, just give your wad of cash to the first homeless person you see and you will feel better for it and have less indigestion. Also, look into Keto. You’re too fat.

God bless America.


Box Office: Gross US & Canada $8,237,403

Opening weekend US & Canada $4,651,571

Gross worldwide $12,737,403 (info: IMDB.com)
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Neo Yokio is Vaporwave.

or why I like Neo Yokio ( and positively hate Rick & Morty. )


Beau Tardy. Saturday, September 30, 2017.

America is a very literal country. We say what we mean and we do what we say. Our founding fathers were all men of letters, even newspapermen, all very well read. Our constitution is written on a piece of paper by these same men. The very privilege to write anything and everything is enshrined in our first amendment. We are a country run by writers, whether they be writers of laws, of contracts, of screenplays or of checks. The writers literally run the show. Until now.

The writing on Neo Yokio is the polar opposite of the pedantic, heavy handed, supercilious Rick & Morty whose editorial board is essentially reddit.com. Please deliver us from these sanctimonious, college essay driven writing stylings of today’s bloggers cum screenwriters who populate new media bullpens.

Neo Yokio is refreshingly superficial, light and breezy like a menthol cigarette or a diet 7 up. It’s style is tongue and cheek, self effacing, unpretentious and full of 1990s anime cliches. Neo Yokio is light on the writing, light on the social righteousness and light on the eyes. In short, it’s vaporwave.

The art is where the love is. Here finally is a cartoon that recognizes that this is a visual art, not a puppet theater for frustrated pamphleteers.  From the mock 1930s Monaco Grand Prix posters, to the beautiful art deco renderings of the Chrysler Building, to the pink and blue nostalgia vaporwave skies of Neo Yokio, this is a clever pastiche and a clin d’oeil to art history.

Neo Yokio’s absurdist retro futurism, the foppish cocktail parties, the mecha butler, the designer label name calling and the giant toblerones give the whole thing the feeling of an 1980s cocaine and vodka hangover that is just delightful.

 I love it. ⭐⭐⭐⭐

Beau Tardy/ 
www.tardyartist.com

Neo Yokio is a Netflix original production.

Created by Ezra Koenig
Written by Ezra Koenig
Nick Weidenfeld
Alexander Benaim
Directed by Kazuhiro Furuhashi
Junji Nishimura
Creative director(s) Ben Jones
Production
Executive producer(s) Ezra Koenig
Nick Weidenfeld
Hend Baghdady
Angela Petrella
Producer(s) Matthew Chadwick
Andrew Chittenden
Kris Wood
Running time 22 minutes
Production company(s) Studio Deen
Production I.G.
MOI Animation
Infinite Elegance, LLC
Friends Night
Distributor Netflix
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Ghost In The Shell – Movie Review

Wow, how cool was that? I had no idea this movie would actually be this good! I was totally expecting a sub-par remake of the all time anime classic. After all who could possibly make anything half as brilliant as Mamoru Oshiis’ animated masterpiece? Nobody of course. This redux has a lot going for it all the same. 


But first, the weak spots. The biggest fail of all time is the fact that Scarlett Johansson decided not to play this in the buff like the original anime robot. Instead she is fitted with a latex body suit which is a huge let down even if it allows the movie to be rated PG13. Why can’t us adults get to see a movie with a naked robot? Just why?

The anime robot was naked. But you knew that!

Also why on Earth did director Rupert Sanders decide to start the movie with a 5 minute flashback sequence that is slow and bothersome instead of ‘plunging’ right in the way the anime does with Major’s dive from the building roof?

This has the effect of blunting the noir dread that is supposed to infuse this cyberpunk epic. To that point, everything is a little bit too clean and well lit.

A little too clean.

Last but not least this movie is lacking a proper kick ass soundtrack. I mean Tron Legacy has Daft Punk, man! The original anime has a beautiful eerie theme song by Kenji Kawai but this film relegates it to the end credits… bad move. They should’ve gotten Deadmau5 to score this film!

Scarlett kicks ass!

Now on to the good bits! Scarlett Johansson looks freaking perfect as Major. She plays it well in a stiff human-machine hybrid way. (I still think she should have been naked – I mean just think of the publicity! Built-in ad campaign! Chickens, the lot of them… )

The evil Geisha robot is dope. I want that thing as a body guard! 
Batou played by Pilou Asbaek is awesome rad too. 

In the original anime his look was inspired by the Italian comic book character RanXerox who was another cyberpunk icon of the 80s.  

RanXerox classic 80s cyberpunk icon by Italian artist Liberatore.

Cyberpunk is a product of the 80s and Ghost In The Shell took a lot of cues from Blade Runner and Akira. The 80s were not a clean decade and the future looked grimy and dark. Millenials are too used to the sleek rounded corners and shiny surfaces of their asepticized iphones. Anyone remember using a pay phone on 42nd street in 1985? Any way I digress.

I saved the best part for last which are the awesome sfx and glitch tricks. I mean folks, augmented reality is coming and we better get used to navigating the third layer of VR holographic ads. Not to mention naked robots! 

I feel this version of Ghost In The Shell has staying power and will develop a bona fide cult following. Definite addition to my cyberpunk collection!
****
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Pewdiepie Reinvents Public Access TV on Twitch!

Anyone remember Wayne’s World with Mike Myers about two doofuses on a couch doing a Public Access TV show? Of course not, you probably weren’t even born yet! Well, it looks like Pewdiepie doesn’t remember either! Maybe this is a good time to insert brainiac quote “Those who don’t know history are destined to repeat it.” (Edmond Burke)

Mike Myers and Dana Carvey in Wayne’s World – ©1992 Paramount Pictures


Although the movie Wayne’s World was a fictitious parody of the Public Access TV phenomenon of the 80s & 90s in America, the reality is Public Access TV was a rich experimental playground for budding TV wannabees. As a free speech platform mandated by Congress in the 1970s, Public Access TV was exactly that: public access to the TV airwaves by any enterprising talent that felt like making a TV show.

Awesome shows came out of that experience, some even becoming famous like The Robin Byrd Show, TV Party, Beyond Vaudeville (which became a real TV show called Oddball) or TV with Ray Cathode that inspired MTV’s AMP. (look ’em up). 

All these shows broke new ground and did things on TV that nobody had done before. Pewdiepie’s show ‘Best Club’ on Twitch however seems to be plowing fallow ground. After only two shows he is bleeding viewers, going from 80,000 for the first episode to 18,000 for the second episode which is a dizzying 75% drop. It seems that he got the message because the next day he tweeted: “that stream was insane, was just testing it out… wasnt expecting that. will do a charity one next time”.

Was it that he wasn’t expecting such a big drop in viewers or that the constant begging for donations made it sound like a PBS telethon? Either way, the formula seems wrong for Twitch. A prominent feature on Twitch is the chat which is simultaneous to the stream and allows viewers to comment in real time. This is a raucous place where memes are born and trolls earn their wings. During episode 2 of ‘Best Club’ chatters were complaining about being ignored, even when they donated money, a cardinal sin on Twitch! 

‘Best Club’ episode on Twitch with Pewdiepie and Brad Woto. Looks a lot like Wayne’s World to me 🙂

Best Club episode #2 also suffered from a rookie streamers mistake of plugging the cameras into a different input from the mic resulting in the dreaded ‘audio out of sync’ nightmare.

Twitch is a very different animal from YouTube. By any account this will be a head-scratcher for the producers of Best Club and it remains to be seen if the Pewds will be able to turn this lemon into lemonade.

Follow Pewdiepie on Twitch @Netglow

Follow DizzyTV on Twitch @Dizzy__TV

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Ink is thicker than blood.

charlie-ink-sm
For an American audience, Charlie Hebdo is like a crossover between Mad Magazine and underground comix from the 60s, full of satire and sex. It’s as if Robert Crumb and Jon Stewart had just been gunned down during a board meeting at Comedy Central.

I lived in France and read Charlie Hebdo throughout my teens. So I am using the hashtags #JeSuisCharlie #IAmCharlieHebdo to show my support for fellow cartoonists and express my utter sadness at their brutal murders.

However this hashtag, while well intentioned, is misleading. For if everyone is ‘Charlie Hebdo’ then everyone is a victim, which is exactly what the terrorists want. But if ‘being Charlie’ means having the guts to stand up to censorship in ALL its forms, including having the right to poke islamic fanaticism in the eye, then I’m all for it. Unfortunately, I feel the opposite is beginning to happen.

London imam Anjem Choudary correctly said in defense of the Paris shootings: “If freedom of expression can be sacrificed for criminalising incitement & hatred, Why not for insulting the Prophet of Allah? #ParisShooting — Anjem Choudary (@anjemchoudary)”

His ironclad logic is unassailable in this world of political correctness and ‘tolerance’. When you outlaw ONE WORD, you potentially outlaw them all. When freedom of expression, WHATEVER IT MAY BE gets threatened, freedom of thought gets censored too.

People are already being jailed for saying something stupid on Facebook or posting videos. Professionals are being fired for their political or religious views. ‘Hate speech’ is a criminal offense. But who gets to determine what qualifies as hate speech? Does Anjem Choudary get to make that call? And if not, why not?

If it is NOT OK to use certain words, whichever they may be, whatever the context, then censorship has already begun. Cartoonists, writers, artists, thinkers will begin to self-censure in the name of tolerance to disguise their fear. This is already happening.

Certain thoughts and opinions become taboo and mental repression sets in, whether it be coerced or self-inflicted. History is littered with entire civilizations being brainwashed this way, ie: Nazism or Communism. This is not something new.

What is new is that our generation, from the mid 20th century until now, has never had to face a true war on the Western homeland. We have enjoyed over 65 years of peace, with no major disruption to our modern way of life.

It felt natural for me as a kid and a teenager to dream of becoming a professional cartoonist. In fact, I have based my whole life on believing that being an artist was a valid, useful and worthwhile profession. I went to art school, got jobs doing illustrations, TV graphics, magazine layouts, paintings, video installations, music concerts and my childhood dream: cartoons. Even though I have had to navigate economic ups and downs, I always believed being an artist was a good thing.

Now art has been weaponized. Artists are at the forefront of a cultural war.

Every artist is going to ask themselves if their art will offend. Some will seek out controversy as a shortcut to publicity but most others cower away and end up erasing their ‘provocative’ drawings. The net effect, I fear in the long run will be that fewer and fewer people will stand up for those who are genuine champions of free speech, like Charlie Hebdo.

So while it’s great to say #IAmCharlieHebdo, especially when everyone else is doing it, who will in the end be bold enough to risk everything to say something that is politically incorrect, or offensive to some, or ‘hate speech’?

I am an artist and I can’t answer that question.

Beau Tardy

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TMNT **1/2

The Turtles were originally made into TV cartoons to sell toys, which is a very effective strategy often used by the Pop Culture Illuminati to bore into kids brains. G.I. Joe and Transformers are other glaring examples of this. Though the TMNT franchise started out as a bona fide indie comic book success story – basically created on a kitchen table by Eastman and Laird back in the ’80s – it only reached Pop Culture icon status as part of a well-orchestrated toy merchandising campaign. As a result, TMNT is another summer toy movie that can’t decide if it’s animated or live action.

The 3d looks 2d. Tedious digital rack focus and fake lens flares are tacked on in a desperate attempt to impart style to Lula Carvalhos’ hackneyed cinematography. The arch villain Shredder comes off as something out of Power Rangers. Basically someone in a suit stomping around a miniature set, like the old Ultraman. The Turtles’ characterization doesn’t help to give them personality either and they can only be told apart by the color of their bandanas.
Megan Fox as the only standout provides tame sex appeal. This is paradoxically a good role for her and jives well with her Transformers past. Her crossing of the desert must be over as Michael Bay and the Hollywood bigwigs have re-evaluated her box office draw despite the 5 or so last bombs she did (Jonah Hex anyone?) It’s too bad Minae Noji as Kari doesn’t quite come off as the hot villainess. Poor costume design hid rather than highlighted her assets. The rest of the cast is forgettable. (Is Whoopie Goldberg secretly one of the turtles?)
Sophomoric humor, great for 9 year olds or mentally equivalent adults.
The opening titles are the best part of this 101-minute toy commercial.
Review by Mike Hammer
Director: Jonathan Liebesman (Wrath Of The Titans, Battle Los Angeles)
Written by: Josh Appelbaum & Andre Nemec (Mission Impossible: Ghost Protocol, Alias TV show)
TMNT originally created by: Peter Laird & Kevin Eastman
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Guardians Of The Galaxy ****1/2

Blockbuster marries cult.

Star Wars meets Blade Runner meets The Watchmen. Like riding the Shinkansen high on LSD, this movie is a psychedelic trip the likes of which Ridley Scott and George Lucas could only dream of making back in the dark ages.

A sexy green girl and a sexy blue girl (Zoe Saldana & Karen Gillan), a wiseass raccoon (Brad Cooper), a tree with limited vocabulary (Vin Diesel) and some apocalyptic villains will make you want to strap into the Milano and shoot off some plasma blasters.

Guardians of the Galaxy just put James Gunn’s number on the red phone speed dial and made Chris Pratt every teenage girl’s screensaver.

Cool factor: after watching this movie you will be scouring Ebay for a Sony TPS-L2 Walkman. While you’re at it, go ahead and download “I’m Not In Love” by 10cc and “Cherry Bomb” by Joan Jett and The Runaways. Yes young ones, we know, we where there…

Only downer – soundtrack could have been tons better. The late 70s and early 80s had much better music to select from and any true Walkman sporting hypester would have been listening to the Dead Kennedys or Run DMC, but I digress.

Dead weight: John C Reilly and Glenn Close just feel like ballast brought on board to steady the ship when in fact they should have been jettisoned.

Did I mention mind bending special effects, the toroid shaped Dark Aster mothership, Benicio Del Toro, faceless necro-soldiers, an Infinity Stone (‘an item of immeasurable power that destroys all but the most powerful beings who wield it’ says Wiki), fighting girls, Cosmo the Soviet space dog and Benicio Del Toro?

AND IT’S ALL IN 3D! In the future it will be cool to have seen this movie in the past.

Review by Feeney Last

Director & screenwriter: James Gunn
Camera: Ben Davis
Starring: Chris Pratt, Zoe Saldana, Karen Gillan Brad Cooper and Benicio Del Toro.
Effects: Framestore, Moving Picture Company; Luma Pictures; Method Studios; Lola VFX; Cantina Creative; Sony Pictures Imageworks; CoSA VFX; Secret Lab; Rise Visual Effects Studios; Technicolor VFX; Industrial Light & Magic.

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