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Ink is thicker than blood.

charlie-ink-sm
For an American audience, Charlie Hebdo is like a crossover between Mad Magazine and underground comix from the 60s, full of satire and sex. It’s as if Robert Crumb and Jon Stewart had just been gunned down during a board meeting at Comedy Central.

I lived in France and read Charlie Hebdo throughout my teens. So I am using the hashtags #JeSuisCharlie #IAmCharlieHebdo to show my support for fellow cartoonists and express my utter sadness at their brutal murders.

However this hashtag, while well intentioned, is misleading. For if everyone is ‘Charlie Hebdo’ then everyone is a victim, which is exactly what the terrorists want. But if ‘being Charlie’ means having the guts to stand up to censorship in ALL its forms, including having the right to poke islamic fanaticism in the eye, then I’m all for it. Unfortunately, I feel the opposite is beginning to happen.

London imam Anjem Choudary correctly said in defense of the Paris shootings: “If freedom of expression can be sacrificed for criminalising incitement & hatred, Why not for insulting the Prophet of Allah? #ParisShooting — Anjem Choudary (@anjemchoudary)”

His ironclad logic is unassailable in this world of political correctness and ‘tolerance’. When you outlaw ONE WORD, you potentially outlaw them all. When freedom of expression, WHATEVER IT MAY BE gets threatened, freedom of thought gets censored too.

People are already being jailed for saying something stupid on Facebook or posting videos. Professionals are being fired for their political or religious views. ‘Hate speech’ is a criminal offense. But who gets to determine what qualifies as hate speech? Does Anjem Choudary get to make that call? And if not, why not?

If it is NOT OK to use certain words, whichever they may be, whatever the context, then censorship has already begun. Cartoonists, writers, artists, thinkers will begin to self-censure in the name of tolerance to disguise their fear. This is already happening.

Certain thoughts and opinions become taboo and mental repression sets in, whether it be coerced or self-inflicted. History is littered with entire civilizations being brainwashed this way, ie: Nazism or Communism. This is not something new.

What is new is that our generation, from the mid 20th century until now, has never had to face a true war on the Western homeland. We have enjoyed over 65 years of peace, with no major disruption to our modern way of life.

It felt natural for me as a kid and a teenager to dream of becoming a professional cartoonist. In fact, I have based my whole life on believing that being an artist was a valid, useful and worthwhile profession. I went to art school, got jobs doing illustrations, TV graphics, magazine layouts, paintings, video installations, music concerts and my childhood dream: cartoons. Even though I have had to navigate economic ups and downs, I always believed being an artist was a good thing.

Now art has been weaponized. Artists are at the forefront of a cultural war.

Every artist is going to ask themselves if their art will offend. Some will seek out controversy as a shortcut to publicity but most others cower away and end up erasing their ‘provocative’ drawings. The net effect, I fear in the long run will be that fewer and fewer people will stand up for those who are genuine champions of free speech, like Charlie Hebdo.

So while it’s great to say #IAmCharlieHebdo, especially when everyone else is doing it, who will in the end be bold enough to risk everything to say something that is politically incorrect, or offensive to some, or ‘hate speech’?

I am an artist and I can’t answer that question.

Beau Tardy

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New Jazzy Burn’s Album • TV*5 tévé-cinque!

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TMNT **1/2

The Turtles were originally made into TV cartoons to sell toys, which is a very effective strategy often used by the Pop Culture Illuminati to bore into kids brains. G.I. Joe and Transformers are other glaring examples of this. Though the TMNT franchise started out as a bona fide indie comic book success story – basically created on a kitchen table by Eastman and Laird back in the ’80s – it only reached Pop Culture icon status as part of a well-orchestrated toy merchandising campaign. As a result, TMNT is another summer toy movie that can’t decide if it’s animated or live action.

The 3d looks 2d. Tedious digital rack focus and fake lens flares are tacked on in a desperate attempt to impart style to Lula Carvalhos’ hackneyed cinematography. The arch villain Shredder comes off as something out of Power Rangers. Basically someone in a suit stomping around a miniature set, like the old Ultraman. The Turtles’ characterization doesn’t help to give them personality either and they can only be told apart by the color of their bandanas.
Megan Fox as the only standout provides tame sex appeal. This is paradoxically a good role for her and jives well with her Transformers past. Her crossing of the desert must be over as Michael Bay and the Hollywood bigwigs have re-evaluated her box office draw despite the 5 or so last bombs she did (Jonah Hex anyone?) It’s too bad Minae Noji as Kari doesn’t quite come off as the hot villainess. Poor costume design hid rather than highlighted her assets. The rest of the cast is forgettable. (Is Whoopie Goldberg secretly one of the turtles?)
Sophomoric humor, great for 9 year olds or mentally equivalent adults.
The opening titles are the best part of this 101-minute toy commercial.
Review by Mike Hammer
Director: Jonathan Liebesman (Wrath Of The Titans, Battle Los Angeles)
Written by: Josh Appelbaum & Andre Nemec (Mission Impossible: Ghost Protocol, Alias TV show)
TMNT originally created by: Peter Laird & Kevin Eastman
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